I'm surprised you have read an article today ("critical?) Incipient and very basic in Wonderland, which is aimed almost entirely on the incongruities of a server in terms of time and space in text scenic setting.
And I do not exaggerate when I say that this surprises me as the "Wonderland" that I propose from the initial dialogue, provides the wider vision of Wonderland in contemporary popular culture. One of the objectives of the assembly is to revisit the text of Carroll from the broader perspective: We include the creative and biography of Carroll as well as multiple context Reading the book has had since its inception to the present: drug use, allege pedophilia, literary antecedents to psychoanalysis, dream worlds, visionary tale, analogy / Victorian criticism and so forth.
Thus, in this musical, which blends pop, electronic and German cabaret, everything fits, as it absolutely everything in the original story. In addition, trapped in another dream dreams should offer this possibility, I guess.
As I mentioned, the recontextualization in Wonderland runs from the proposal writing in their first dialogue: CHARLES
:
Dear Alice:
Yesterday I dreamed again with the image of the white dress
Contigo posing for a mad hatter and a bad liver
I have not seen in more than 30 years
But again yesterday for a moment, we were together
The room was Opium and whiskey made of riddles and photographs
Then I realized that dream was also a revelation
I saw things I had never seen before Rabbits
predators and murderers,
Carnival and apartments for rent
Neon lights and street girls,
crazy train arrived and then never again. Vicars
forgot their gods
when realized that they too had been forgotten,
caterpillars, kings, they made bonfires dormice
words to songs ripped from swans and
Mimes, drunk young girls
Clocks and time bombs in the windows, saw the face destroyed
asphalt whom all the world's feet told her sadness.
equations and geometry in the avenues of insomnia,
Oxford, Hiperermercados, junkyards,
secret language that calls me all the time and then disappears
spontaneous combustion.
Siamese typewriters,
epidemic of blindness, image links, structural purity and a girl ...
A girl who was waiting in the middle of everything.
Then I realized my dream was also a revelation: He had to return to
had to get you back to Wonderland.
scenic elements complement Cosic, not just a phone, as far as invention aims and Carroll after the article, but a shopping cart, fluorescent lamps and an obvious video camera instead of a camera. If we add the biographical references questioning Oscar Salas like Peter Pan, it's probably because it was given the task of investigating the dialogue Alice: Lewis
:
What do you dream about Alice?
Alice:
dream
use high heels, as large as my mother and meet Peter Pan at age 80
met Alice Liddell in effect Sir James Barrie, author of Peter Pan at age 80. Curiously, again recontextualizes myth and truth of the story behind Wonderland, projected future biography and a broader context.
And that's why I use the basic term, to refer to the article or critical. Questioning the temporal elements of a set of contemporary theater, it seems to me to remain hopelessly on the surface. Could it have been cause for deep reflection as spatial dissociation tempo in the text of William Burroughs' The Black Rider, "based on the ancient German folk legend the very successful start of Wilson in the 90's, in which he used texts such as:
"And That leads straight to Devil's work, just like marywanna leads to heroin ..."
Or Angélica Liddell putting on Chekhov's Three Sisters, who want to travel to Mexico and at some point in their assembly 5 hours, singing mariachi as a strongman with a stone burden of 200 kilos?
Or the Pandur Hamlet? Or almost the entire theater Calixto Bieito, beginning with his Tirant Lo Blanc, in armor espadazo launching in summer on a beach in Barcelona, \u200b\u200bwith tourists and all?
Wow. These items are the most basic questions make me question the intent of the "critical" by publishing an article that reflects only on the most obvious things in a sting and leaves the last paragraph a couple of pats on the back of two actresses.
Is not it more appropriate expand on the success of the musical genre and what are their crosses or contemporary independent scene in Mexico? Is not it more pertinent to ask why the FONCA endorse such a project? Did not is more relevant to a dichotomy of the audience that follows the musical theater, usually digestible proposal, and that this time history are facing a potential pederast, understood in popular culture as an iconic author of a children's classic?
What is clear to me that what YES is worth questioning in stage machinery is what is the meaning and relevance of the newspaper notes that in its most pompous and infertile, only alienate the audience (which worked so hard to summon the creators, yes we do and aim) of theatrical exhibition.
criticism, whether the appreciation of my work was positive or not, I have always taken with caution and trying to build and improve upon it. Such was the case of "Illuminations" at the XXX MNDT, even in the past with the same Oscar Salas in his notes on "Quartet" or "The Raven." However on this occasion, this note I am very disappointed as the creator and director of a stage. My point, this criticism or not is actually negative note, the problem is that it is sterile, misleading, even I think a lack of respect for the intelligence of the viewer.
other hand we sold out three weeks, more than 600 people called, groups of all types and above all, many people without having the responsibility to inform or trade in the assessment stage, access and better understand a world that seeks above all to motivate the viewer's imagination.
But the latter, I suppose that those who communicate on the scene and therefore have free place to see theater, I do not care.
always taught me that criticism is not answered. In the past, when outside my disagreement with notes made without respect to the business or proposed critical stage, the result was simple: ice Act, as is typical of the secondary part of some journalists and critics. At that level we are in Mexico, where truths are absolute and we encourage theater audiences no dejen morir los foros, estemos además sentenciados a los caprichos de opinión de unos cuantos. No se vale.
Aquí dejo copia del artículo para que como éste apunta, usted finalmente decida:
Wonderland, un musical de Alonso Barrera y Madame Recamier, propone el encuentro de Lewis Carroll, autor de “Alice’s adventures in Wonderland” con su personaje treinta años después del verano de 1863, cuando abruptamente dejaron de verse por razones desconocidas. “Se sospecha que la madre de Alice Liddell creía que Charles Dodgson (verdadero nombre de Lewis Carroll) no era una compañía adecuada para su hija, apenas de once años y le prohibió visitarla definitely. "
understand that this proposal is the creation of a fiction which the author takes various licenses over time, space, and action. It is also understandable, following the introduction of the program notes that this fiction does not come out of the nineteenth century. This is where the author, with and without licenses, it betrays itself, viz. Points as an example of creative recognition and fame as author Andrew Lloyd Weber. Indeed this very famous composer in London has been credited with the rock opera "Jesus Christ Superstar," released in 1970, and "Evita" in 1978, which has stopped writing to date.
In a musical passage
representation identified premiered at Factory cabaret music as heard in the movie "Cabaret" (1972) starring Liza Minnelli that, and the choreography "Four solos and an accident," Jaime Blanc, or that is, music that belongs to the interwar period, particularly composed by Kurt Weill (1900-1950) in the first half of the twentieth century.
At another point in this show comes out of psychoanalysis to help the author-character in their affliction mood, treatment of psychopathology, proposed and organized in the early XX (1903-1905) by the Austrian physician Sigmund Freud (1856-1939).
must also belong to a very broad and full license to use fantasy in his work table or office desk, telephone equipment from L. Carroll. While the invention of the telephone is registered in the second half of the nineteenth century, the United States (Boston, 1876), the step of embedding in the wall at a table or desk, is also in the twentieth century.
gallant in Wonderland moment, the young Lewis Carroll asked whether to include 'Peter Pan' in his literary creation. This fictional character, which many attributed to film making Walt Disney, belongs to the literary work of the Scottish novelist and playwright James Matthew Barrie (1860-1937). The eternal child, fearful partner Wendy, was born in 1904, six years after the death of the Reverend Dodgson (1832-1898).
So far I have referred only to situations of the twentieth century, therefore recreated outside the English author and mathematician. But where's license Wonderland eventually jump to the lands of John Orol versus gangsters and cowboys, and the like, is with the stroke of Queen Victoria, although his long reign (1838-1901) included the author's life , we see on stage at The Factory corseted bodice with a very narrow, as we know the iconic image of Elizabeth I (1533-1603), the Virgin Queen, a nickname that much difference from the prolific Victoria (four males and five females). We also meet the sponsor of English piracy by vast ruff stiff and seems to serve his head on a large flat plate, motif that also appears in the logo of the cigarette that bear the name of the famous pirate Sir Walter Raleigh Knight, but Victoria here carrying the visiting Wonderland. The royal government behavior are at odds. The Victorian era is known for modesty, sobriety and pudicia, not the Elizabethan the daughter of Henry VIII and Anne Boleyn.
This Wonderland Victoria back to the sixteenth century, we do, with the index finger and cordial, the sign of victory popularized another extolled both English statesman who achieved noble rank: Sir Winston Churchill (1874-1965). It is well known photograph of the British Prime Minister during the Second World War, with huge cigar between his lips, making the victory sign as described.
I think the fiction in a biography has to respect certain parameters, particularly those relating to time, so the author set himself on pain of incurring the choteo and chacoteo of the work itself.
With all previous transgressions is very plausible and pleasing the Rabbit (Skater) offered by Jessica Zermeño. Much thanks for the construction and embodiment of such a sympathetic character so believable in fantasy, even in Wonderland. Like the lovely deserves appreciation presence of Alice Liddell. This character is embodied Cristina Valenzuela and Monica Serrano. I do not know who I saw on Saturday 14 May. The viewer will remain on Friday 20 and Saturday 27 and 21 and 28 to compare and contrast beauties, and check as I pointed out.
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